Botany in Popular Culture: Laura Veirs

I love music for its ability to conjure up emotions, create a mood, and inspire action. The music of Laura Veirs has always inspired me to get out into nature and be more observant of the wild things around me. Her music is rich with emotions, and I feel those, too. However, when I think of her music, I can’t escape images of the natural world and the creatures that inhabit it.

Found within her nature-centric lyrics are, of course, numerous botanical references. After all, plants and their actions make excellent subject matter for all types of art. And with that in mind, Veirs asks rhetorically in the song Rapture, “Doesn’t the tree write great poetry?”

When it comes to botanical references, the song that jumps first to mind is Lonely Angel Dust, starting off right away with these lyrics: “The rose is not afraid to blossom / though it knows its petals must fall / and with its petals fall seeds into soil / Why toil to contain it all? / Why toil at all?” Plants produce seeds in abundance, as mentioned in Shadow Blues: “Thousand seeds from a flower blowing through the night.” And, as in Where Are You Driving?, they’re seeking a suitable spot to plant themselves: “Through clouds of dandelions / seeds sailing out on the wind / hoping you’ll be the one to plant yourself on in.”


Flowers come up often in the songs of Laura Veirs. In White Cherry, “cherry trees take to bloom.” In Nightingale, “her heart a field in bloom.” In Make Something Good, “an organ pipe in a cathedral / that stays in tune through a thousand blooms.” In Sun is King, “innocent as a summer flower.” In Cast a Hook, “with watery cheeks down flowered lanes.” In Life Is Good Blues, “Messages you sent to Mars came from a crown of flowers.” Grass and weeds get a few mentions, too. In Summer Is the Champion, “let’s get dizzy in the grass.” In Life Is Good Blues, “tender green like the shoots of spring / unfurling on the lawn.”

Trees are the real stars, though. Veirs makes frequent references to trees and their various parts. This makes sense, as trees are real forces of nature. So much happens in, on, and around them, and images of the natural world can feel barren without them. First there is their enormousness, as in Black Butterfly, “evergreen boughs above me tower / were singing quiet stories about forgiveness, ” and Don’t Lose Yourself, “we slept in the shadow of a cedar tree.” Then there is their old age, as in Where Are You Driving?, “tangled up in the gnarled tree,” and When You Give Your Heart, “falling through the old oak tree.” There is also their utility, mentioned in Make Something Good, “I wanted to make something sweet / the blood inside a maple tree / the sunlight trapped inside the wood / make something good.” And then, of course, there is the fruit they bear, as in July Flame, “sweet summer peach / high up in the branch / just out of my reach,” and then in Wandering Kind, “a strange July / a storm came down / from the North and pulled out the salt / and it tore out the leaves from the pear tree / my canopy.”

Many of Veirs songs create scenes and tell stories of being in the wilderness among rivers, lakes, mountains, and caves. Chimney Sweeping Man, for example, is a “forest resident” who “walks[s] quiet through the forest like a tiny, quiet forest mouse.” In Snow Camping, Veirs tells a story about sleeping in a snow cave in the forest, where “a thousand snowflakes hovered,” “a distant songbird [was] singing,” and “the weighted trees” were her “only home.” But sometimes those forests burn, which is captured in Drink Deep: “Now the raging of the forest fires end / and all the mammals fled / I smell in the charred darkness / a little green / a little red.” Later in the song: “the fire closed his eyes / tipped his flame hat and slipped through the dire rye / we wandered romantic / we scattered dark branches / with singing green stars as our guide.”

Nature can also be empowering, and Veirs often refers to things in the natural world as metaphors or similes for the human experience. In Cast a Hook, Veirs adamantly asserts, “I’m not dead, not numb, not withering / like a fallen leaf who keeps her green.” This line comes up again in Saltbreakers: “You cannot burn me up / I’m a fallen leaf who keeps her green.” In Lake Swimming, Veirs addresses change and how some of life’s changes may wound us but we can still shine – “shucking free our deadened selves / like snakes and corn do / … / Old butterfly / I’ll dance with you / though our wings may crumble / we can float like ash / broken but the edges still shine.”


The botanical references Veirs makes in her songs are not the only things that excite me. Birds, insects, mammals, fish, and worms all find a place in Veirs’ lyrics. This is why, after more than a decade of listening to her songs, I find myself coming back to them again and again. There is a sort of kinship we feel for each other when we share in common a love of the natural world. I find that in the music of Laura Veirs.

More Botany in Popular Culture Posts:


Book Review: Good Weed Bad Weed

Distinguishing weeds from desirable plants is a skill that takes years of experience. If you’re not an avid gardener or a practiced naturalist, the distinction between the two groups may be blurry. There are weed identification guides aplenty, but even those aren’t always the most user-friendly and can often leave a person with more questions than answers. One of those questions may be, “Why is this plant considered a weed and not that one?” Through her book, Good Weed Bad Weed, Nancy Gift attempts to answer that question, offering much needed nuance to a regularly vilified group of plants.

In the introduction, Gift acknowledges that the term “good weed” sounds like an oxymoron. A weed, by definition, is an unwanted plant, an interloper and a troublemaker, without value or merit. What could be good about that? Gift, on the other hand, asserts that “it is a weakness of the English language that weeds are universally unwanted.” We need a word that describes plants that may have weedy characteristics but some redeeming qualities as well. For now, Gift uses “volunteer” – “a plant that comes up without being planted or encouraged” – suspending judgement until its performance can be fairly assessed.

Good Weed Bad Weed is a weed identification guide designed for beginners, for those wondering if their yard is “infested or blessed.” It is specifically concerned with weeds commonly found in lawns and garden beds, and “not meant to apply to farm fields or any other landscape.” It sets itself apart from other identification guides by organizing weeds into three categories: Bad Weeds, Not-So-Bad Weeds, and Good Weeds. Each plant profile includes a description, notes about benefits as well as problems, and some recommendations for control. Assigning good/bad designations to these plants is bound to cause some heated debate and outright disagreement, and Gift acknowledges that; however, we all have our “unique judgement” about the plants we encounter in our landscapes, so as “weed-lovers-in-training,” Gift hopes that we can “make a few new friends in the plant kingdom” and, perhaps, a few less enemies.

For the ten plants that make the Bad Weeds list, the reasoning is pretty clear. They are highly competitive and difficult to control [foxtail (Setaria spp.), garlic mustard (Alliaria petiolata), and Canada thistle (Cirsium arvense)], they are poisonous to humans despite being beneficial to wildlife [poison ivy (Toxicodendron radicans ) and poison hemlock (Conium maculatum)], they are known allergens and otherwise unattractive [common ragweed (Ambrosia artemisiifolia)], or, like Japanese knotweed (Fallopia japonica), they are on the list of top 100 worst invasive species.

The other two categories are where more personal judgement comes into play. The twelve plants considered Not-So-Bad Weeds are said to have “admirable qualities despite some negatives.” Prostrate knotweed (Polygonum aviculare) provides excellent erosion control. Orange hawkweed (Hieracium aurantiacum), bull thistle (Cirsium vulgare), and musk thistle (Carduus nutans) are quite beautiful and highly beneficial to pollinators and other wildlife. Nutsedge (Cyperus spp.) is edible and easy to keep in check if you stay on top of it. Bindweeds (Convolvulus arvensis and Calystegia sepium) avoid the Bad Weeds list because their flowers are so appealing. Aesthetics really matter to Gift, which is made clear with the entry for common fleabane (Erigeron philadelphicus), which could have made the Good Weeds list were it not for its disappointing and forgettable floral display.

field bindweed (Convolvulus arvensis)

As for the Goods Weeds list, more plant species find themselves in this category than the other two categories combined. That being said, those who have strong, negative opinions about weeds should probably avoid this section of the book, lest they experience an unsafe rise in blood pressure upon reading it. But be advised that making the Good Weeds list doesn’t mean that there are no negatives associated with having these plants in your yard; it’s just that the positive qualities tend to overshadow the negatives.

Positive qualities include edible, medicinal, low growing, slow growing, easy to control, beneficial to wildlife, not a bully, hardly noticeable, uncommon, and soil building. Certain weeds are desirable in lawns because they are soft to walk on, like ground ivy (Glechoma hederacea), yarrow (Achillea millefolium), and moss. Other weeds, like self-heal (Prunella vulgaris), stay green year-round and don’t leave ugly, brown patches when they die or go dormant. Still others, like bird’s-foot trefoil (Lotus corniculatus), black medic (Medicago lupulina), and clovers (Trifolium spp.) fix nitrogen, providing free fertilizer. Gift notes that, for those who keep chickens, weeds like common sorrel (Rumex acetosa) and cuckooflower (Cardamine pratensis) are great chicken feed.

Speaking of eating weeds, Gift concludes her book with four pages of recipes. The “Weedy Foxtail Tabouli” is particularly intriguing to me. Reading this book definitely requires an open mind, and some people simply won’t agree that any weed should ever be called “good.” Gift seems okay with that. She calls herself a “heretical weed scientist,” insisting that “a weed is in the eye of the beholder.” As “beholders,” I hope we can all be a little more like Nancy Gift.

A weedy lawn (photo credit: wikimedia commons)

More Book Reviews on Awkward Botany:

2017: Year in Review

Awkward Botany turns 5 years old this month! 

In the five years since I first introduced myself I have had the pleasure of sharing my writing and photos with thousands of people. Together we have formed a tiny community of nature lovers, botany nerds, and phytocurious folks. It has been fun seeing the audience grow and our interactions increase. The World Wide Web is a crowded and chaotic place, and you can never be sure what will come of the pieces of you that you throw at it. Luckily, my little project has not gone completely unnoticed. The crowd that enjoys it may be small, but it is composed of a solid group of people. Thank you for being one of those people.

If you were following along in 2017, you are well aware that weeds and invasive species have been regular themes. Both of these topics are still obsessions of mine, so while I don’t have plans to continue to saturate the blog with such posts, I will still be writing about them. I’m actually working on a larger project involving weeds, which you can read more about here.

Speaking of which, I have threatened a couple of times now to interrupt my weekly posting schedule in order to make time for other projects. So far that hasn’t really happened, but this year I am fairly certain that it will. It’s the only way that I am going to be able get around to working on things I have been meaning to work on for years. There are also some new things in the works. I think these things will interest you, and I am excited to share them with you as they develop. Once you see them for yourself, I’m sure you’ll forgive the reduced posting schedule.

One thing I have resolved to do this year is learn to draw. I love botanical illustrations, and I have always been envious of the artistic abilities of others. My drawing skills are seriously lacking, but a little practice might help improve that. While it is bound to be a source of embarrassment for me, I have decided to post my progress along the way. So even if you have less to read here, you will at least get to check out some of my dumb drawings. Like this one:

Drawing of a dandelion with help from Illustration School: Let’s Draw Plants and Small Creatures by Sachiko Umoto

One of my favorite things this year has been Awkward Botany’s new Facebook page. With Sierra’s help, we have finally joined that world. Sierra has been managing the page and is the author of most of the posts, and she is doing an incredible job. So if you haven’t visited, liked, and followed, please do. And of course, the invitation still stands for the twitter and tumblr pages, as well.

Lastly, as I have done in the past I am including links to posts from 2017 that were part of ongoing series. These and all other posts can be found in the Archives widget on the right side of the screen. During the summer I did a long series about weeds called Summer of Weeds, the conclusion of which has a list of all the posts that were part of that series. Thank you again for reading and following along. Happy botanizing and nature walking in 2018. I hope you all have a plant filled year.

Book Reviews:

Podcast Review:

Poisonous Plants: 

Drought Tolerant Plants:

Field Trips:

Guest Posts:

Book Review: Grow Curious

In the early 2000’s when I was really getting excited about learning how to garden, one of the first resources I turned to was a website called You Grow Girl by Gayla Trail. I probably saw it mentioned in a zine about gardening. Something about it felt very punk rock. Trail’s site was different than other resources, and it spoke to the anti-authoritarian, non-conformist in me. Reading through the About page today, Trail’s punk rock spirit hasn’t waned, and I can see why her site appealed to me.

Now with well over two decades of gardening experience to draw from, Trail continues to run her site, has written five books (including one called You Grow Girl), and her “contemporary, laid-back approach” to gardening remains essentially the same. In her words, she “places equal importance on environmentalism, style, affordability, art, and humour.” Her “aim has always been to promote exploration, excitement, and a d.i.y approach to growing plants without the restrictions of traditional ideas about gardening.” We share these sentiments, which is why when I learned of her most recent book, Grow Curious, I knew I needed to read it.

Grow Curious by Gayla Trail accompanied by a pressed leaf from Trail’s garden.

Grow Curious is an activity book for gardeners of all ages, backgrounds, and skill levels. It diverges from most books about gardening in that it is not a how-to or a what-to-plant-where guide. It is instructional, but only in ways that are less about getting our chores done and more about helping us explore our gardens in order to see them in a new light and open our eyes to the remarkable world that is right outside our door – a world often overlooked because we have work to do. Trail’s book is also meant to reinvigorate any of us that may be a bit disillusioned by the act of gardening – having misplaced our spark along the way, lost in the drudgery of it all. It’s about stopping for a minute, looking around, and seeing things we maybe haven’t noticed before but that have been there all along.

Because Grow Curious is a compilation of garden activities (“an invitation to play”) interspersed with prose, there is no need to consume it chronologically. Activities can be done in order or chosen at random. They can be skipped altogether or done at different times of the year. The book, however, is organized by season, starting in spring and ending in winter. In this way, the story of the birth and death of the garden is told, a polarity that Trail reflects on throughout the book. In the introduction to “Fall,” she writes of the growing season coming to a close and the garden becoming “a scene of decay.” The garden’s death can help us come to terms with other deaths, including our own. On a brighter side, the return of spring can bring a newfound sense of “hope, transformation, and optimism;” along with “the energy of renewal.”

Botanical rubbings – one of dozens of creative, garden activities found in Grow Curious by Gayla Trail

The bulk of this book is a series of activities that are meant to, as the subtitle proclaims, “cultivate joy, wonder, and discovery in your garden.” In general, the instructions are minimal – a short paragraph or two; a single sentence followed by a list of things to observe or do. In this way, you have the freedom to explore and make things up as you go, without worrying about rules or whether or not you are doing it right. Activities include touching an insect, observing the shapes of leaves and stems, smelling soil, taking pictures from new and unusual angles, visiting your garden in the dead of night, et cetera. Some activities are more involved, like raising a caterpillar or researching something to death. Other activities require little effort, like pulling up some plants to see what color their roots are or tasting an edible plant part that you have never tasted before. To facilitate advanced exploration, many of the activities include ideas or ways to “Go Further.”

Among the pages of activities are Trail’s musings on gardening and life (as it relates to gardening), and I found these to be equally intriguing.  Like her thoughts on fear and insecurity: “I was inexperienced and uncertain, full of my own fears and excuses.” And her “balanced” view on pests in the garden: “Since our insect partners often depend on the so-called bad guys, it turns out that a balanced garden needs both.” Her encouragement to observe the differences between wild plants and weeds that grow within and beyond the borders of our gardens, and her plea for us to “invite wildness” in, noting the “knotty labyrinth” that exists between “wild” and “cultivated” – “social constructs that we place in opposition to each other.”

Orange roots of California poppy (Eschscholzia californica). “As you’re digging up, moving around, and planting out new crops, trees, bushes, and perennials this fall, take note of plants that have colourful roots.” — Gayla Trail

If you have been following Awkward Botany for a while, you can probably see why this book is right up my alley. If you enjoy reading Awkward Botany, this book should be right up your alley, too.

Field Trip: Hoyt Arboretum and Leach Botanical Garden

Thanks to Sierra having a work-related conference to attend, I got the chance to tag along on a mid-July trip to Oregon. My mission while she was busy with her conference was to visit some gardens in Portland. What follows is a mini photo diary of my visits to Hoyt Arboretum and Leach Botanical Garden. Both are places I had never been to before. My visits may have been brief, but they were long enough to earn big thumbs up and a strong recommendation to pay them a visit.

Much of the Hoyt Arboretum is like walking through a dense forest. Here a Scots pine (Pinus sylvestris) marks a fork in the road. To the right is the White Pine Trail, and to the left is the Bristlecone Pine Trail.

Some of the trees are enormous. This western redcedar (Thuja plicata) is getting up there.

Looking up to admire the canopy was one of my favorite parts. Here I am below the canopy of a vine maple (Acer circinatum).

And now I am below the canopy of a tricolor beech (Fagus sylvatica ‘Tricolor’).

Thimbleberry (Rubus parviflorus) was abundant, and the fruits were at various stages of maturity.

There were a few flowers to look at as well. Bumblebees were all over this Douglas spirea (Spiraea douglasii). 

Ocean spray (Holodiscus discolor) was in its prime.

Leach Botanical Garden is considerably smaller than Hoyt Arboretum but is similarly wooded. There is a creek that runs through a small ravine with pathways winding up both sides and gardens to explore throughout.

In wooded areas like this, there are guaranteed to be ferns (and, of course, moss growing over the fern sign).

There were several fruiting shrubs, like this Japanese skimmia (Skimmia japonica).

And this Alaskan blueberry (Vaccininium ovalifolium, syn. V. alaskaense).

Wood sorrel (Oxalis spp.) was abundant and often attractively displayed.

I found this insect hotel in the upper section of the garden. Apparently some major developments are planned for this area. Learn more here.


Have you visited any public gardens this summer? Leave your story and/or recommendation in the comment section below.

Book Review: Weeds Find a Way

At what age do we become aware that there are profound differences among the plants we see around us? That some are considered good and others evil. Or that one plant belongs here and another doesn’t. Most young children (unless an adult has taught them) are unaware that there is a difference between a weed and a desirable plant. If it has attractive features or something fun to interact with – like the seed heads of dandelions or the sticky leaves of bedstraw – they are all the same. At some point in our trajectory we learn that some plants must be rooted out, while others can stay. Some plants are uninvited guests – despite how pretty they might be – while others are welcome and encouraged.

But weeds are resilient, and so they remain. Weeds Find a Way, written by Cindy Jenson-Elliot and illustrated by Carolyn Fisher, is a celebration of weeds for their resiliency as well as for their beauty and usefulness. This book introduces the idea of weeds to children, focusing mainly on their tenacity, resourcefulness, and positive attributes rather than their darker side. “Weeds are here to stay,” so perhaps there is a place for them.

The book begins by listing some of the “wondrous ways” that weed seeds disperse themselves: “floating away on the wind,” attaching themselves to “socks and fur,” shot “like confetti from a popped balloon.” And then they wait – under snow and ice or on top of hot sidewalks – until they find themselves in a time and place where they can sprout. Eventually, “weeds find a way to grow.”

Weeds also “find a way to stay.” We can pull them up, but their roots are often left behind to “sprout again.” Pieces and parts break off and take root in the soil. Animals may swoop in to devour them, but weeds drive them away with their thorns, prickles, and toxic chemicals. In these ways they are a nuisance, but they can be beautiful and beneficial, too.

This illustrated story of weeds is followed by some additional information, as well as a list of common weeds with brief descriptions. Weeds are defined as plants “thought to be of no value that grow in places where people do not want them to grow,” adding that even “misunderstood and underappreciated plants that are native to a region and have multiple uses” can be labeled weeds.

The concept of weeds as invasive species is also addressed; some introduced plants move into natural areas and can “crowd out native vegetation, block streams, and drive away wild animals.” That being said, weeds also provide us with “endless opportunities to study one of nature’s most wonderful tools: adaptation.” Weeds are problematic as much as they are useful, it’s simply a matter of perspective.

A criticism of this book might be that it doesn’t focus enough on the negative aspects of weeds. There is plenty of that elsewhere. The aim of this book is to connect us with nature, and as Jensen-Elliot writes, “you don’t need a garden to know that nature is at work.” When there is a weed nearby, nature is nearby. Weeds “adapt and grow in tough times and desolate places,” and they make the world beautiful “one blossom at a time.”

Campaigns Against Invasive Species, part two

Happy American Wetlands Month!

One of the biggest threats to wetland ecosystems is, of course, invasive species. In last week’s post I shared a selection of videos that were produced by a variety of organizations to inform the public about invasive species. Many such videos specifically address invasives in wetlands and waterways. Here are a few of those videos.

Invasive Species of Idaho reminds you to “Clean, Drain, Dry” to avoid transporting aquatic hitchhikers:

Purple loosestrife is a “very wicked plant:”

Commander Ben vs. the Saltcedar Bandits:

Michigan’s Department of Environmental Quality urges hunters not to use Phragmites australis to make duck blinds:

More information about Phragmites by National Geographic:

Texas Parks and Wildlife and the Attack of the Zebra Mussels:

The story of Eurasian milfoil told by students at George Williams College:

Water hyacinth – another “very wicked plant”:

Water hyacinth invasion in Africa:

Attack of the Killer Algae by TED-Ed: