Book Review: Grow Curious

In the early 2000’s when I was really getting excited about learning how to garden, one of the first resources I turned to was a website called You Grow Girl by Gayla Trail. I probably saw it mentioned in a zine about gardening. Something about it felt very punk rock. Trail’s site was different than other resources, and it spoke to the anti-authoritarian, non-conformist in me. Reading through the About page today, Trail’s punk rock spirit hasn’t waned, and I can see why her site appealed to me.

Now with well over two decades of gardening experience to draw from, Trail continues to run her site, has written five books (including one called You Grow Girl), and her “contemporary, laid-back approach” to gardening remains essentially the same. In her words, she “places equal importance on environmentalism, style, affordability, art, and humour.” Her “aim has always been to promote exploration, excitement, and a d.i.y approach to growing plants without the restrictions of traditional ideas about gardening.” We share these sentiments, which is why when I learned of her most recent book, Grow Curious, I knew I needed to read it.

Grow Curious by Gayla Trail accompanied by a pressed leaf from Trail’s garden.

Grow Curious is an activity book for gardeners of all ages, backgrounds, and skill levels. It diverges from most books about gardening in that it is not a how-to or a what-to-plant-where guide. It is instructional, but only in ways that are less about getting our chores done and more about helping us explore our gardens in order to see them in a new light and open our eyes to the remarkable world that is right outside our door – a world often overlooked because we have work to do. Trail’s book is also meant to reinvigorate any of us that may be a bit disillusioned by the act of gardening – having misplaced our spark along the way, lost in the drudgery of it all. It’s about stopping for a minute, looking around, and seeing things we maybe haven’t noticed before but that have been there all along.

Because Grow Curious is a compilation of garden activities (“an invitation to play”) interspersed with prose, there is no need to consume it chronologically. Activities can be done in order or chosen at random. They can be skipped altogether or done at different times of the year. The book, however, is organized by season, starting in spring and ending in winter. In this way, the story of the birth and death of the garden is told, a polarity that Trail reflects on throughout the book. In the introduction to “Fall,” she writes of the growing season coming to a close and the garden becoming “a scene of decay.” The garden’s death can help us come to terms with other deaths, including our own. On a brighter side, the return of spring can bring a newfound sense of “hope, transformation, and optimism;” along with “the energy of renewal.”

Botanical rubbings – one of dozens of creative, garden activities found in Grow Curious by Gayla Trail

The bulk of this book is a series of activities that are meant to, as the subtitle proclaims, “cultivate joy, wonder, and discovery in your garden.” In general, the instructions are minimal – a short paragraph or two; a single sentence followed by a list of things to observe or do. In this way, you have the freedom to explore and make things up as you go, without worrying about rules or whether or not you are doing it right. Activities include touching an insect, observing the shapes of leaves and stems, smelling soil, taking pictures from new and unusual angles, visiting your garden in the dead of night, et cetera. Some activities are more involved, like raising a caterpillar or researching something to death. Other activities require little effort, like pulling up some plants to see what color their roots are or tasting an edible plant part that you have never tasted before. To facilitate advanced exploration, many of the activities include ideas or ways to “Go Further.”

Among the pages of activities are Trail’s musings on gardening and life (as it relates to gardening), and I found these to be equally intriguing.  Like her thoughts on fear and insecurity: “I was inexperienced and uncertain, full of my own fears and excuses.” And her “balanced” view on pests in the garden: “Since our insect partners often depend on the so-called bad guys, it turns out that a balanced garden needs both.” Her encouragement to observe the differences between wild plants and weeds that grow within and beyond the borders of our gardens, and her plea for us to “invite wildness” in, noting the “knotty labyrinth” that exists between “wild” and “cultivated” – “social constructs that we place in opposition to each other.”

Orange roots of California poppy (Eschscholzia californica). “As you’re digging up, moving around, and planting out new crops, trees, bushes, and perennials this fall, take note of plants that have colourful roots.” — Gayla Trail

If you have been following Awkward Botany for a while, you can probably see why this book is right up my alley. If you enjoy reading Awkward Botany, this book should be right up your alley, too.

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Managing Spontaneous Urban Plants for Improved Aesthetics

As discussed last week, our wild, urban flora is a cosmopolitan mixture of plants that were either native to the area before it was developed, introduced from all corners of the world on purpose or by accident, or brought in by migrating wildlife. These are plants capable of establishing and sustaining themselves outside of human cultivation and management, and are found in abundance beyond the borders of our tidy gardens and manicured landscapes. They vegetate sectors of our city that have been abandoned, overlooked, or routinely neglected. Given enough time – and prolonged lack of intervention – such vegetation will proceed along the process of ecological succession in the same way that plant communities in natural areas do. And just like other plant communities within their respective ecosystems, these wild, urban plant communities provide a suite of ecological services vital to the health of our urban ecosystems.

Peter Del Tredici writes in Wild Urban Plants of the Northeast, “landscapes that include spontaneous vegetation fit the technical definition of sustainable in the sense that they are adapted to the site, require minimal maintenance, and are ecologically functional.” In an interview with Scenario Journal, Del Tredici goes on to define sustainability as “the value of the services provided by the ecosystem divided by the cost required to maintain that ecosystem.” Spontaneous urban landscapes offer “substantial ecological services at relatively low cost, or in some cases no cost,” and thus, by Del Tredici’s definition, they are “highly sustainable.”

There is one unfortunate downside – “weedy” landscapes like this are, by popular opinion, thoroughly unattractive and a sign of urban decay. This belief is held in spite of the fact that many of the plants found therein would be cherished or admired in other settings. Among deteriorating infrastructure, litter, and less attractive plants, some of our favorite plants are rendered guilty by association.

Despite their ecological benefits, abandoned areas vegetated with wild, urban plants are not favored by the public. So, to appease our aesthetic standards, sites like this can be enhanced through minimal intervention to be more attractive while retaining their ecological functions. In a paper published in a 2006 issue of Journal of Landscape Architecture, Norbert Kühn asserts that “to use spontaneous vegetation for ornamental purposes, a kind of enhancement or design work is necessary.” Species can be added and removed, and simple, infrequent maintenance measures can be implemented. Examples include extending the flowering season with spring flowering bulbs and mowing the area once or twice annually to maintain and improve the composition of the stand.

Wild bergamot (Monarda fistulosa) – one of the plants that Norbert Kühn included in his study as a candidate for improving the aesthetics of spontaneous, urban plant communities.

Favoring attractive weeds over less attractive ones and using minimal maintenance to improve aesthetics and function are the principles behind Del Tredici’s “cosmopolitan urban meadow.” In his book, he lists some criteria for plants that would be suitable for “this novel landscape form,” including: erosion control (long-lived; vegetatively spreading), stress tolerance (full sun; drought; compacted and polluted soil), aesthetic value (ornamental characteristics; not “weedy” looking), wildlife friendly (attractive to pollinators; edible seeds), and commercially available.

In an article in Harvard Design Magazine, Del Tredici and Michael Luegering describe the cosmopolitan urban meadow as “a stable assemblage of stress-tolerant, low-maintenance herbaceous perennial plants that are preadapted to harsh urban conditions and that will provide an attractive vegetation cover on vacant land.” Whether it is a “long-term landscape feature” or a placeholder until future development, it will have “the capacity to increase the aesthetic and ecological value of vacant land without the investment of large sums of money typically required for the installation and maintenance of traditional managed landscapes.”

Abandoned or undeveloped, urban lots like this one are ideal sites for “cosmopolitan urban meadows.”

In an urban context, some plant species are particularly noxious and may need to be removed from urban meadows, such as ragweed (Ambrosia spp.) for its allergens and poison ivy (Toxicodendron radicans) for its Urushiol-induced contact dermatitis. Species with a history of being invasive should also be avoided and contained, particularly in sites that are adjacent to or within a short distance from natural areas. Despite this and other minor concerns, spontaneous vegetation has great potential. In Kühn’s words it is “authentic” and a “reminder of the history of the site,” it is part of “the natural dynamic” with potential to bring us “closer to nature,” and finally, “it can be maintained for a long time [with] less care and low costs.”

Finding beauty in these urban, wild landscapes might even cause a shift in what we find appropriate for cultivated landscapes. In her book, Grow Curious, Gayla Trail reminds us that, despite all of our efforts, wildness persists even in our most earnest attempts to subdue it. Perhaps we should embrace it:

‘Wild’ and ‘cultivated’ are social constructs that we place in opposition to each other, when in reality there is a knotty labyrinth between them. We subjugate our cities and our gardens with chemicals and artifice because we are unable to see that wild and cultivated can be entwined, can be all at once tended, lyrical, surprising, domesticated, irrational, functional, and free.

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See Also: Arnold Arboretum’s Cosmopolitan Meadow at Weld Hill

Is There a Place for Weeds in Urban Ecosystems?

Highly urbanized areas have a long history of disturbance. They are a far cry from the natural areas they once displaced, bearing little resemblance to what was there before. In this sense, they are a brand new thing. During the urbanization process, virtually everything is altered – temperatures, soils, wind patterns, hydrology, carbon dioxide levels, humidity, light availability, nutrients. Add to that a changing climate and increased levels of pollution, and the hope of ever seeing such a site return to its original state – whatever that might mean – is crushed.

What then should we consider the natural flora of an ecosystem like this? Certainly it is not the native flora that once stood on the site before it was developed; virtually none of the conditions are the same anymore. If we are defining “natural” as existing with minimal human intervention, then the natural urban flora would be whatever grows wild outside of our manicured landscapes and managed, remnant natural areas. It would be a cosmopolitan mixture of plants that have joined us in our migrations with and without our permission, along with a collection of species that are either extant to the site or have been brought in by wildlife. In many ways it would mirror the human populations of our modern cities – an assortment of residents from around the globe with diverse backgrounds and cultural histories.

In Wild Urban Plants of the Northeast, Peter Del Tredici classifies urban land into three general categories based on their ecological functions: native, remnant landscapes; managed, constructed landscapes; and ruderal, adaptive landscapes. Native, remnant landscapes are generally small areas within city limits that have never been developed. They contain a portion of the native plants that once populated the area, and they require vigilant and regular maintenance to keep non-native plants from invading and to control those that already have. Managed, constructed landscapes include all of the parks and gardens that have been designed and intentionally planted. They require regular maintenance of varying intensity in order to keep them looking the way they are intended to look. Ruderal, adaptive landscapes are abandoned or neglected sites that are populated by plants that have arrived on their own and that maintain themselves with virtually no human intervention. This is where the true, wild urban flora resides.

Prickly lettuce (Lactuca serriola) growing in an abandoned lot.

Many of the plants that make up our wild urban flora are what we commonly refer to as weeds. These weedy plants appear in landscapes throughout our cities, but are generally removed or controlled in all landscapes except the abandoned ones. It is in these neglected sites that weeds have the greatest potential to provide vital ecosystem services, performing ecological functions that are beneficial to urban life.

Not all plants are suited for this role. Spontaneous urban vegetation is particularly suited due to its ability to thrive in highly modified, urban environments without external management. Regardless of provenance, this suite of plants, as Del Tredici points out, seem to be “preadapted” to urban conditions and “are among the toughest on the planet.” A long list of traits has been identified for plants in this category, ranging from seed dispersal and viability to speed of growth and reproduction to tolerance of harsh conditions. Del Tredici summarizes by stating, “a successful urban plant needs to be flexible in all aspects of its life history from seed germination through flowering and fruiting, opportunistic in its ability to take advantage of locally abundant resources that may be available for only a short time, and tolerant of the stressful growing conditions caused by an abundance of pavement and a paucity of soil.”

Abandoned lots flush with weeds, overgrown roadsides and railways, and neglected alleyways colonized by enterprising plants are generally seen as ugly, unsightly eyesores – products of neglect and decline. Some of the plants found in such locations are valued in a garden setting or prized as part of the native landscape in a natural area, but growing wildly among trash and decaying urban infrastructure they, too, are refuse. As Richard Mabey has written: “If plants sprout through garbage they become a kind of litter themselves. Vegetable trash.”

Abandoned chicken coop overtaken by tree of heaven saplings (Ailanthus altissima).

Despite how we feel about these plants or the aesthetics of the locations they find themselves in, they are performing valuable services. Apart from adding to the biodiversity on the site as well as producing oxygen and sequestering carbon – services that virtually all plants offer – they may be preventing soil erosion, stabilizing waterways, absorbing excess nutrients, reducing the urban heat island effect, mitigating pollution, building soil, and/or providing food and habitat for urban wildlife. While cultivated and managed landscapes can achieve similar things, these neglected sites are doing so without resource or labor inputs. They are sustainable in the sense that their ability to provide these services is ongoing without reliance on outside maintenance.

Sites like these should be further investigated to determine the full extent of the services that they may or may not be offering, and in the event that they are doing more good than harm, they should be conserved and encouraged. One service that is receiving more attention, as Del Tredici writes, is phytoremediation – “the ability of some plants to clean up contaminated sites by selectively absorbing and storing high concentrations of heavy metals such as cadmium, lead, copper, zinc, chromium, and nickel in their tissues.” Weed species with this ability include prickly lettuce (Lactuca serriola), lambsquarters (Chenopodium album), and mugwort (Artemisia vulgaris). In an article in Places Journal, Del Tredici gives the example of the often despised, introduced plant, common reed (Phragmites australis) cleaning up the New Jersey Meadowlands by “absorbing abundant excess nitrogen and phosphorous throughout this highly contaminated site.”

In the book, Weeds: In Defense of Nature’s Most Unloved Plants, Richard Mabey writes: “As we survey our long love-hate relationship with [weeds], it may be revealing to ponder where weeds belong in the ecological scheme of things. They seem, even from the most cursory of looks, to have evolved to grow in unsettled earth and damaged landscapes, and that may be a less malign role than we give them credit for.” Perhaps, seeing them in this worthy role, will temper our knee-jerk inclination to demonize them at every turn.

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See Also: Our Urban Planet and Wild Urban Plants of Boise.

What Is a Water Chestnut?

This question came up on a recent episode of Every Little Thing, and while I have eaten water chestnuts on numerous occasions, I realized that I have never really considered what they were or where they came from. Thanks to the folks at ELT, I am better informed. So, why not spread the wealth?

Chinese water chestnut (not to be confused with Trapa natans, which is also commonly known as water chestnut) is in the family Cyperaceae – the sedge family. Known botanically as Eleocharis dulcis, it is a member of a sizable genus collectively referred to as the spikerushes or spikesedges. Its distribution is quite expansive, spanning sections of Australia, tropical Africa, several countries in Asia, as well as islands in the Pacific and Indian oceans. It is commonly cultivated in regions outside of its native range, including in North America as a novelty crop.

Eleocharis dulcis is a perennial, aquatic plant that grows in marshes, bogs, and the margins of other wetland and riparian areas in tropical and subtropical climates. Individual plants are clumps of tall, stiff, upright, leafless stems that can grow to over one meter tall. An infloresence is borne at the tops of stems and is a short, cylindrical cluster of small, yellow-brown florets. Clumps of stems are connected via rhizomes, and in this manner dense colonies can be formed. Rhizomes also terminate in corms, which are the edible portion of E. dulcis and the part of the plant that we refer to as water chestnuts.

Chinese water chestnut (Eleocharis dulcis) growing in a bog garden – photo credit: flickr/techieoldfox

Corms are underground storage organs. They are the bases of stems that have become thick and swollen with starch. They are often covered in papery scales – which are the remnants of leaves – that help protect the corm from being damaged or drying out. Buds on the top of the corm form shoots; adventitious roots form on the bottom of the corm. Tubers, which are also modified stems and underground storage organs, differ from corms in that they have growing points at various locations along their surface rather than a single growing point at the top.

Common misconceptions are that water chestnuts are nuts or roots. They are neither. They are corms, or in other words, they are modified stem bases. Apart from that, they are vegetables. Curiously, they are vegetables from a plant family that does not produce much in the way of food for humans. Consider that the next time you eat them. You are eating a sedge.

Corm of Chinese water chestnut (Eleocharis dulcis), the edible portion of the plant – photo credit: flickr/sclereid0309

Chinese water chestnuts can be prepared in many ways, both raw and cooked. I have only had them in stir fries, but they can also be used in salads and soups or ground into flour to make water chestnut cakes. Interestingly, even when they are cooked they remain crisp. This has something to due with the special properties of their cell walls.

As an agricultural crop they are often grown in paddies in rotation with rice. With a few preparations they can also be grown at home alongside your other vegetables. Further information and instruction can be found at various locations online including Permaculture Research Institute, Missouri Botanical Garden, and Plants for a Future.

Having only eaten water chestnuts from a can, I am anxious to try fresh, raw water chestnuts. Apparently they are available at certain Asian markets. When I get my hands on some, I will let you know what I think. Follow me on Twitter or Facebook for further updates.

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What are your favorite ways to eat Chinese water chestnuts? Let us know in the comment section below.